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S he displayed on stage, but at least just as important: The staff of the theater and the Summer Opera, which provide behind the scenes to ensure that the project "La Bohème" may well go beyond the stage These wonderful people include Flörcken Kea, a dramaturge at the ETA. Hoffmann-Theater operates and manages the summer opera, the musical drama.

Verena Ratzke : Kea, which is special for you at the summer opera?

Kea Flörcken: The great thing about the summer opera is that it is a project with young musicians and singers who thus have the opportunity to gain experience, both in the samples, as well as the performances. In addition, these young people, the mood in the theater. Theatre is not only fun but also hard work, discipline and concentration, but will be rewarded with wonderful performances.

VR: How do you feel about working with the participants?

KF: Very pleasant and positive. I'm not right in the middle of the action, but a kind of "onlooker". But the contacts I had with the participants were open and friendly, sometimes areas, for example, the discussions with some singers and orchestra musicians.

VR: What did you have in advance SOB organize everything?

KF: Since the summer opera already been twice, many preparatory work was already done. But still, of course, fell on some organizational things: I was in talks between Till Fabian Weser and Rainer Lewandowski here, have argued that for some auditions, controlled the tickets arrangements, took care of surtitles, researched information on the introduction for the audience and then written and Kerstin Werner discussed the press. So really the coordination between the CFA and the theater. With the impending start of the project to include the other members of the House passed.

VR: What the work falls on during the SOB for you?

KF: Actually, the normal dramatic work as a music dramaturge. I was at the rehearsals, I set up the supertitles - a very important work, because the text is supposed to match the events on stage have written press releases, and writes articles for the theatrical newspaper. I have also spoken with Rainer Lewandowski, of course, about the staging. And then I - with the support the press office - including the promotion of the theater-going care. Yes, and the launch had to be prepared, which I think now before the ideas in TREFF.

VR: addition I have the same question: yes you do the introductions before the opera. Why do you find it important? And what are you paying attention?

KF: Well, first times as an introduction to a voluntary offer to the public. Many people find out earlier in opera guides, etc., so try I found in the introduction, a good mixture of general information about the opera, facts and observations that are perhaps not in an opera guides, and ideas on the staging. Where there should never say too much. So all in all a good mix of information and entertainment. I want you to understand the visitors, playing together as music, text, sets and costumes and they can enjoy the opera after the introduction of even more intense.

VR: Thank you for your time and have fun in the next three performances.

KF: Thank you.